ZEN REMARKS (23)

23. The practice of Zen as a philosophical practice is the exercise of a practical philosophy in the everyday life of the practitioner. This view of Zen as a practical philosophy should not be confused with other views of Zen philosophy that see it as the spelling out of a metaphysics that is said to be implicit in Zen practices and discourse, still less with the view that sees it as a body of Buddhist philosophical doctrines. For Zen, as understood here, represents a deliberate and rigorous turning away from the metaphysical speculations of the Mahayana. Attempts to explicate and articulate what is thought to be Zen's hidden philosophical potential only serve to betray Zen by returning it to metaphysics. Zen, if looked at through the lens of Wittgenstein's philosophy, does not have to deck itself out in the disputed doctrines of metaphysics in order to prove its philosophical credentials. Nevertheless, this does not mean that Zen is anti-metaphysical. Rather it is a case of refusing to engage in metaphysical speculations or to argue the merits of a metaphysical position. Instead, the Zen master lets the metaphysical manifest itself in whatever concrete individual act or thing is to hand. Careful attention to the koan and how it works will show that this is so. 'A monk asked Ummon, "What is Buddha?" Ummon replied, "A dried shit-stick!"'

ZEN REMARKS (22)

22. Wittgenstein once suggested the possibility of writing 'a serious philosophical work consisting solely of jokes'. If this was a serious suggestion then why not one consisting solely of koans? Might not such koan collections as the Mumonkan and the Hekiganroku be approached as serious philosophical works? An immediate objection would be that books of koans seldom, if ever, go in for argument or explanation. But neither would a philosophical book that consisted solely of jokes. Yet the appropriate response to both joke and koan serves as a demonstration of insight. The spontaneity of the appropriate response (laughter) to a joke is sufficient evidence that the required insight has occurred. A demand for explanation or argument demonstrates the opposite. In the language-game of the koan, as in the language-game of the joke, any demand for either explanation or argument shows not only that the point has been missed but that the rules of the game have not been learnt. Wittgenstein's suggestion that a serious philosophical work might consist solely of jokes indicates a view of philosophy that would admit the demonstration of insight by means other than argument or explanation. Might koan Zen be such a philosophy?

ZEN REMARKS (21)

21. As Wittgenstein's philosopher is to assemble reminders for a particular purpose, so must the Zen master. The reminders do not function in terms of a fully articulated theoretical system. Rather, they come into play in response to particular needs and particular problems in particular situations - such as 'whenever someone ... wanted to say something metaphysical'.

ZEN REMARKS (20)

20, In reminding the disciple 'to say nothing except what can be said', the Zen master must be able to demonstrate to any disciple 'who wanted to say something metaphysical', following Wittgenstein here, 'that he had failed to give a meaning to certain signs in his propositions'. In Zen such a demonstration might simply take the form of a curt dismissal - 'If you mention Buddha Nature here I will throw you out!' But still the master will demand that the disciple 'say something'. However, the 'saying' that is required is not an ordinary saying but a 'showing'.
      Someone might object here that it is difficult to accept that there is an analogy between Wittgenstein's method and that of the Zen master. For whereas Wittgenstein is at pains to avoid saying what cannot be said - or to point out the nonsensicality of all attempts to say the unsayable - Zen, with its nonsensical koans, insists on saying what cannot be said - that is, insists on speaking nonsense - in order to effect a switch in the disciple to a rejection of what cannot be said. In response, it needs to be stressed that Zen does not reject what cannot be said. What Zen rejects is each and every attempt to say what cannot be said. Moreover, the nonsensical character of koan language is only apparent. Once the grammar of this language-game has been mastered, the nonsensical appearance of its language is seen through.

ZEN REMARKS (19)

19. Perhaps it could be said that the work of the Zen master, like that of Wittgenstein's philosopher, 'consists in assembling reminders for a particular purpose'. Just as Wittgenstein does not wish 'to spare other people the trouble of thinking', so the Zen master has no intention of sparing the disciple the trouble of personal inquiry. Yet Zen inquiry is pursued, not through thinking, but through a carefully practised discipline of non-thinking. But is 'thinking' all of a kind? Are there not different types of thinking? Might the 'non-thinking' of Zen be but a different kind of thinking? According to Descartes, for example, 'all the operations of will, intellect, imagination, and of the senses are thoughts'. Leaving aside for the moment the question of the relation between thinking and non-thinking and focusing on the claim that the Zen master's work could be represented as 'assembling reminders for a particular purpose', it is important to say that the Zen master's reminders would not be of doctrine but of a strategic practice. This is the practice that corresponds with Wittgenstein's 'correct method in philosophy', namely, 'to say nothing except what can be said'.
    

ZEN REMARKS (18)

18. sitting still in zazen
      I move
      not outward and about
      but down
      not slowly sinking
      but suddenly leaping
      into the darkness
      enlightening my day

ZEN REMARKS (17)

17. Proverbial wisdom would seem to involve us in a series of contradictions. One proverb advises us to look before we leap while another warns that he who hesitates is lost. Similarly with Zen: on the one hand we are admonished to hold firm, on the other to let go. Zennies seem to delight in holding firm while letting go, taking care while leaping into the dark.